Stephan Moss, Music for Virginal, with Rachel Huang, violin
Moss performs on the virginal, a small but versatile sixteenth-century keyboard, often associated with intimate settings and a great variety of rarely heard music of the early Baroque.
Sunday, March 2, 2025, 7 p.m.
Drinkward Recital Hall

PROGRAM
Pavana Bray and Galiarda
William Byrd
(ca. 1540-1623)
(ca. 1540-1623)
The Carman’s Whistle
Byrd
Barafostus Dream
Thomas Tomkins
(1572-1656)
(1572-1656)
... for the Virginal (1979)
Jim Fox
(1953-)
(1953-)
The Fall of the Leafe
Martin Peerson
(c. 1571/73-1651)
(c. 1571/73-1651)
Mein Junges Leben hat ein Endt
Jan Pieterszoon Sweelinck
(1562-1621)
(1562-1621)
INTERMISSION
Mystery Sonata 7, F major “The Scourging”
Allamanda and variation
Sarabanda and 3 variatio
Allamanda and variation
Sarabanda and 3 variatio
Heinrich Ignaz Franz von Biber
(1644-1704)
(1644-1704)
with Rachel Huang, violin
Pavana
Orlando Gibbons
(1583-1625)
(1583-1625)
Praeludium and Gloria tibi Trinitas [In Nomine]
John Bull
(1562/3-1623)
(1562/3-1623)
The Bells
Byrd
The Kings Hunt
Bull
HMC is deeply grateful for the generous support that created The Ken Stevens ’61 Founding Class Concert Series.